Everything this studio has made

super cinematic realistic extreme close-up film still from the same scene as <Image 1>, the same location, the same morning light, the same colour tone, this is a closer camera angle of the same moment, shot on a large-format IMAX-grade cinema camera with a 75mm portrait cinema lens, razor-sharp detail on the subject with creamy shallow depth of field the frame is filled by the lower half of Veeru's face in three-quarter profile, head tipped back against the stone wall exactly as he sits in <Image 1>, his face an exact identical match to the man in <Image 2>, same jaw, same lips, same chin, same skin tone, do not change or reinterpret any facial feature, eyes out of frame at the top, thick white shaving foam covering the jaw and throat with one clean shaved track cut through it, a steel straight razor blade resting mid-stroke against the jawline, held by a thin weathered male hand entering from the upper left of frame, the hand matching the barber in <Image 3>, his thumb steadying the skin below the ear, a single drop of water sliding down the flat of the blade at the bottom of frame the collar of Veeru's slate grey-blue coarse cotton prison kurta with its small button placket, at the top edge a sliver of his grey-blue prison cap with the dark band background softly defocused, matching <Image 1> exactly: the weathered grey stone block wall with green-tinted plaster stains directly behind him melting into bokeh, a warm red brick pilaster edge entering the right of frame, a faint warm glow of the pale packed-earth yard in the lower bokeh soft morning sunlight from the open yard on the left of frame, matching the light direction and exposure of <Image 1>, the blade catching a thin bright glint, the foam reading bright white against warm tan skin, gentle ground bounce filling the shadows restored vintage 1970s Hindi film print look identical to <Image 1>, gently lifted blacks, soft highlight halation on the blade edge, muted rust-red brick and green-cyan stone shadow cast, cool desaturated grey-blue cotton, warm tan skin with soft bloom, fine constant organic film grain, clean sharp centre with slightly soft corners pore-level skin texture, real wet foam with tiny collapsing bubbles, individual stubble hairs at the foam edge, no smoothing, no plastic sheen, a real photograph from the same film set, 16:9 cinematic frame, no text, no watermar

super cinematic realistic extreme close-up film still from the same scene as <Image 1>, the same location, the same morning light, the same colour tone, this is a closer camera angle of the same moment, shot on a large-format IMAX-grade cinema camera with a 75mm portrait cinema lens, razor-sharp detail on the subject with creamy shallow depth of field the frame is filled by the lower half of Veeru's face in three-quarter profile, head tipped back against the stone wall exactly as he sits in <Image 1>, his face an exact identical match to the man in <Image 2>, same jaw, same lips, same chin, same skin tone, do not change or reinterpret any facial feature, eyes out of frame at the top, thick white shaving foam covering the jaw and throat with one clean shaved track cut through it, a steel straight razor blade resting mid-stroke against the jawline, held by a thin weathered male hand entering from the upper left of frame, the hand matching the barber in <Image 3>, his thumb steadying the skin below the ear, a single drop of water sliding down the flat of the blade at the bottom of frame the collar of Veeru's slate grey-blue coarse cotton prison kurta with its small button placket, at the top edge a sliver of his grey-blue prison cap with the dark band background softly defocused, matching <Image 1> exactly: the weathered grey stone block wall with green-tinted plaster stains directly behind him melting into bokeh, a warm red brick pilaster edge entering the right of frame, a faint warm glow of the pale packed-earth yard in the lower bokeh soft morning sunlight from the open yard on the left of frame, matching the light direction and exposure of <Image 1>, the blade catching a thin bright glint, the foam reading bright white against warm tan skin, gentle ground bounce filling the shadows restored vintage 1970s Hindi film print look identical to <Image 1>, gently lifted blacks, soft highlight halation on the blade edge, muted rust-red brick and green-cyan stone shadow cast, cool desaturated grey-blue cotton, warm tan skin with soft bloom, fine constant organic film grain, clean sharp centre with slightly soft corners pore-level skin texture, real wet foam with tiny collapsing bubbles, individual stubble hairs at the foam edge, no smoothing, no plastic sheen, a real photograph from the same film set, 16:9 cinematic frame, no text, no watermar

super cinematic realistic extreme close-up film still from the same scene as <Image 1>, the same location, the same morning light, the same colour tone, this is a closer camera angle of the same moment, shot on a large-format IMAX-grade cinema camera with a 75mm portrait cinema lens, razor-sharp detail on the subject with creamy shallow depth of field the frame is filled by the lower half of Veeru's face in three-quarter profile, head tipped back against the stone wall exactly as he sits in <Image 1>, his face an exact identical match to the man in <Image 2>, same jaw, same lips, same chin, same skin tone, do not change or reinterpret any facial feature, eyes out of frame at the top, thick white shaving foam covering the jaw and throat with one clean shaved track cut through it, a steel straight razor blade resting mid-stroke against the jawline, held by a thin weathered male hand entering from the upper left of frame, the hand matching the barber in <Image 3>, his thumb steadying the skin below the ear, a single drop of water sliding down the flat of the blade at the bottom of frame the collar of Veeru's slate grey-blue coarse cotton prison kurta with its small button placket, at the top edge a sliver of his grey-blue prison cap with the dark band background softly defocused, matching <Image 1> exactly: the weathered grey stone block wall with green-tinted plaster stains directly behind him melting into bokeh, a warm red brick pilaster edge entering the right of frame, a faint warm glow of the pale packed-earth yard in the lower bokeh soft morning sunlight from the open yard on the left of frame, matching the light direction and exposure of <Image 1>, the blade catching a thin bright glint, the foam reading bright white against warm tan skin, gentle ground bounce filling the shadows restored vintage 1970s Hindi film print look identical to <Image 1>, gently lifted blacks, soft highlight halation on the blade edge, muted rust-red brick and green-cyan stone shadow cast, cool desaturated grey-blue cotton, warm tan skin with soft bloom, fine constant organic film grain, clean sharp centre with slightly soft corners pore-level skin texture, real wet foam with tiny collapsing bubbles, individual stubble hairs at the foam edge, no smoothing, no plastic sheen, a real photograph from the same film set, 16:9 cinematic frame, no text, no watermark

Adjust the face of barber and man who get shaved , by using refrence o

Adjust the face of barber and man who get shaved , by using refrence of

super cinematic realistic wide film still, shot on a large-format IMAX-grade cinema camera with a wide cinema lens, deep focus holding the full scene sharp from the men to the far wall, epic production value the location is exactly <Image 1>, the prison yard with its central entrance doorway, three grey stone steps, red brick pilasters either side, grey stone block wall with green-tinted plaster above, arched colonnade on the left of frame, packed pale-earth ground, same geometry, same colours, same wear, do not change the location three men staged at the entrance:just to the left of the doorway, against the grey stone wall, Veeru sits on a low wooden stool, his face an exact identical match to <Image 3>, same face, same features, head tipped back against the wall, eyes closed, thick white shaving foam on his jaw and throat, wearing a slate grey-blue coarse cotton prison kurta with a black stitched number 20 on the left chest and a grey-blue prison cap with a single dark band standing over him on his right, bent slightly forward mid-stroke, Hariram the barber, his face an exact identical match to <Image 4>, same face, same large ears, same thin moustache, a steel straight razor in his right hand touching Veeru's jaw, left hand steadying Veeru's chin, a white cloth over his shoulder, same grey-blue prison kurta and cap, a small brass water bowl on the ground beside the stool on the stone steps to the right of them, Jai stands on the top step leaning his left shoulder against the left jamb of the doorway, his face an exact identical match to <Image 2>, same face, same features, calm and deadpan, right hand raised at chest height with a brass coin balanced mid-roll on his knuckles, wearing the same grey-blue prison kurta with a black stitched number 15 on the left chest and the same prison cap, the dark corridor of the entrance receding behind him to a distant barred gate in the far background across the yard two prisoners in matching grey-blue kurtas and caps walk away from camera carrying a water pot, backs to camera, mid-stride camera at eye level on the left side of the yard near the colonnade, looking right toward the entrance, the three men grouped around the doorway filling the right two-thirds of frame, colonnade arches entering soft on the far left edge hard morning sun from camera-right streaming across the open yard at 5600K, lighting the stone wall and the right side of the seated pair, the doorway recess in shade with Jai half in shadow, his cap and right cheek rim-lit, warm pale-earth ground bounce filling the shadows, fine dust hanging in the sunlit air restored vintage 1970s Hindi film print look, gently lifted blacks, soft highlight halation on sun-struck stone edges, muted rust-red brick and green-cyan cast in the stone shadows, cool desaturated grey-blue prison cotton, warm tan skin with soft bloom, fine constant organic film grain, slightly soft spherical lens character at the corners with a clean sharp centre pore-level skin texture on all three faces, real fabric weave, real foam, no smoothing, no plastic sheen, a real photograph from a real film set, 16:9 cinematic frame, no text, no watermark very real

super cinematic realistic wide film still, shot on a large-format IMAX-grade cinema camera with a wide cinema lens, deep focus holding the full scene sharp from the men to the far wall, epic production value the location is exactly <Image 1>, the prison yard with its central entrance doorway, three grey stone steps, red brick pilasters either side, grey stone block wall with green-tinted plaster above, arched colonnade on the left of frame, packed pale-earth ground, same geometry, same colours, same wear, do not change the location three men staged at the entrance:just to the left of the doorway, against the grey stone wall, Veeru sits on a low wooden stool, his face an exact identical match to <Image 3>, same face, same features, head tipped back against the wall, eyes closed, thick white shaving foam on his jaw and throat, wearing a slate grey-blue coarse cotton prison kurta with a black stitched number 20 on the left chest and a grey-blue prison cap with a single dark band standing over him on his right, bent slightly forward mid-stroke, Hariram the barber, his face an exact identical match to <Image 4>, same face, same large ears, same thin moustache, a steel straight razor in his right hand touching Veeru's jaw, left hand steadying Veeru's chin, a white cloth over his shoulder, same grey-blue prison kurta and cap, a small brass water bowl on the ground beside the stool on the stone steps to the right of them, Jai stands on the top step leaning his left shoulder against the left jamb of the doorway, his face an exact identical match to <Image 2>, same face, same features, calm and deadpan, right hand raised at chest height with a brass coin balanced mid-roll on his knuckles, wearing the same grey-blue prison kurta with a black stitched number 15 on the left chest and the same prison cap, the dark corridor of the entrance receding behind him to a distant barred gate in the far background across the yard two prisoners in matching grey-blue kurtas and caps walk away from camera carrying a water pot, backs to camera, mid-stride camera at eye level on the left side of the yard near the colonnade, looking right toward the entrance, the three men grouped around the doorway filling the right two-thirds of frame, colonnade arches entering soft on the far left edge hard morning sun from camera-right streaming across the open yard at 5600K, lighting the stone wall and the right side of the seated pair, the doorway recess in shade with Jai half in shadow, his cap and right cheek rim-lit, warm pale-earth ground bounce filling the shadows, fine dust hanging in the sunlit air restored vintage 1970s Hindi film print look, gently lifted blacks, soft highlight halation on sun-struck stone edges, muted rust-red brick and green-cyan cast in the stone shadows, cool desaturated grey-blue prison cotton, warm tan skin with soft bloom, fine constant organic film grain, slightly soft spherical lens character at the corners with a clean sharp centre pore-level skin texture on all three faces, real fabric weave, real foam, no smoothing, no plastic sheen, a real photograph from a real film set, 16:9 cinematic frame, no text, no watermark

super cinematic realistic wide film still, shot on a large-format IMAX-grade cinema camera with a wide cinema lens, deep focus holding the full scene sharp from the men to the far wall, epic production value the location is exactly <Image 1>, the prison yard with its central entrance doorway, three grey stone steps, red brick pilasters either side, grey stone block wall with green-tinted plaster above, arched colonnade on the left of frame, packed pale-earth ground, same geometry, same colours, same wear, do not change the location three men staged at the entrance:just to the left of the doorway, against the grey stone wall, Veeru sits on a low wooden stool, his face an exact identical match to <Image 3>, same face, same features, head tipped back against the wall, eyes closed, thick white shaving foam on his jaw and throat, wearing a slate grey-blue coarse cotton prison kurta with a black stitched number 20 on the left chest and a grey-blue prison cap with a single dark band standing over him on his right, bent slightly forward mid-stroke, Hariram the barber, his face an exact identical match to <Image 4>, same face, same large ears, same thin moustache, a steel straight razor in his right hand touching Veeru's jaw, left hand steadying Veeru's chin, a white cloth over his shoulder, same grey-blue prison kurta and cap, a small brass water bowl on the ground beside the stool on the stone steps to the right of them, Jai stands on the top step leaning his left shoulder against the left jamb of the doorway, his face an exact identical match to <Image 2>, same face, same features, calm and deadpan, right hand raised at chest height with a brass coin balanced mid-roll on his knuckles, wearing the same grey-blue prison kurta with a black stitched number 15 on the left chest and the same prison cap, the dark corridor of the entrance receding behind him to a distant barred gate in the far background across the yard two prisoners in matching grey-blue kurtas and caps walk away from camera carrying a water pot, backs to camera, mid-stride camera at eye level on the left side of the yard near the colonnade, looking right toward the entrance, the three men grouped around the doorway filling the right two-thirds of frame, colonnade arches entering soft on the far left edge hard morning sun from camera-right streaming across the open yard at 5600K, lighting the stone wall and the right side of the seated pair, the doorway recess in shade with Jai half in shadow, his cap and right cheek rim-lit, warm pale-earth ground bounce filling the shadows, fine dust hanging in the sunlit air restored vintage 1970s Hindi film print look, gently lifted blacks, soft highlight halation on sun-struck stone edges, muted rust-red brick and green-cyan cast in the stone shadows, cool desaturated grey-blue prison cotton, warm tan skin with soft bloom, fine constant organic film grain, slightly soft spherical lens character at the corners with a clean sharp centre pore-level skin texture on all three faces, real fabric weave, real foam, no smoothing, no plastic sheen, a real photograph from a real film set, 16:9 cinematic frame, no text, no watermark

super cinematic realistic wide film still, shot on a large-format IMAX-grade cinema camera with a wide cinema lens, deep focus holding the full scene sharp from the men to the far wall, epic production value the location is exactly <Image 1>, the prison yard with its central entrance doorway, three grey stone steps, red brick pilasters either side, grey stone block wall with green-tinted plaster above, arched colonnade on the left of frame, packed pale-earth ground, same geometry, same colours, same wear, do not change the location three men staged at the entrance: just to the left of the doorway, against the grey stone wall, Veeru sits on a low wooden stool, his face an exact identical match to <Image 3>, same face, same features, head tipped back against the wall, eyes closed, thick white shaving foam on his jaw and throat, wearing a slate grey-blue coarse cotton prison kurta with a black stitched number 20 on the left chest and a grey-blue prison cap with a single dark band standing over him on his right, bent slightly forward mid-stroke, Hariram the barber, his face an exact identical match to <Image 4>, same face, same large ears, same thin moustache, a steel straight razor in his right hand touching Veeru's jaw, left hand steadying Veeru's chin, a white cloth over his shoulder, same grey-blue prison kurta and cap, a small brass water bowl on the ground beside the stool on the stone steps to the right of them, Jai stands on the top step leaning his left shoulder against the left jamb of the doorway, his face an exact identical match to <Image 2>, same face, same features, calm and deadpan, right hand raised at chest height with a brass coin balanced mid-roll on his knuckles, wearing the same grey-blue prison kurta with a black stitched number 15 on the left chest and the same prison cap, the dark corridor of the entrance receding behind him to a distant barred gate in the far background across the yard two prisoners in matching grey-blue kurtas and caps walk away from camera carrying a water pot, backs to camera, mid-stride camera at eye level on the left side of the yard near the colonnade, looking right toward the entrance, the three men grouped around the doorway filling the right two-thirds of frame, colonnade arches entering soft on the far left edge hard morning sun from camera-right streaming across the open yard at 5600K, lighting the stone wall and the right side of the seated pair, the doorway recess in shade with Jai half in shadow, his cap and right cheek rim-lit, warm pale-earth ground bounce filling the shadows, fine dust hanging in the sunlit air restored vintage 1970s Hindi film print look, gently lifted blacks, soft highlight halation on sun-struck stone edges, muted rust-red brick and green-cyan cast in the stone shadows, cool desaturated grey-blue prison cotton, warm tan skin with soft bloom, fine constant organic film grain, slightly soft spherical lens character at the corners with a clean sharp centre pore-level skin texture on all three faces, real fabric weave, real foam, no smoothing, no plastic sheen, a real photograph from a real film set, 16:9 cinematic frame, no text, no watermark

super cinematic realistic extreme close-up film still, shot on a large-format IMAX-grade cinema camera, razor-sharp fine detail across the focal plane with creamy shallow depth of field falling off behind the frame is filled by the lower half of Veeru's face in profile, the face an exact identical match to the man in <Image 2>, same jaw, same lips, same chin, same skin tone, do not change or reinterpret any facial feature, his head tipped back and eyes out of frame, thick white shaving foam covering the jaw and throat with one clean shaved track cut through it, a steel straight razor blade resting mid-stroke against the jawline, held by a thin weathered male hand entering from the right of frame belonging to the barber from <Image 3>, his thumb steadying the skin below the ear, a single drop of water sliding down the flat of the blade catching the sun Veeru wears a slate grey-blue coarse cotton prison kurta collar visible at the bottom of frame with thin dark piping, and the edge of a grey-blue cotton prison cap with a single dark band visible at the top of frame background softly defocused from <Image 1>, the warm grey stone wall and red brick pilaster of the prison yard melting into bokeh, a hint of the pale earth ground glowing in the sun hard morning sun from camera-right at a low raking angle, the blade throwing a thin bright glint, the foam reading bright white against warm tan skin, soft ground bounce filling the shadow side restored vintage 1970s Hindi film print look, gently lifted blacks, soft highlight halation around the sun-struck blade edge, muted rust-red and green-cyan cast in the stone shadows, cool desaturated grey-blue cotton, warm tan skin with soft bloom, fine constant organic film grain, slightly soft spherical lens character at the corners with a clean sharp centre pore-level skin texture, real wet foam with tiny collapsing bubbles, individual stubble hairs at the foam edge, no smoothing, no plastic sheen, a real photograph from a real film set, 16:9 cinematic frame, no text, no watermark

1970s Indian prison yard, morning. Location from <Image 1>: central doorway with 3 stone steps, brick pilasters, grey stone wall, left colonnade, pale earth ground. <Image 2> Jai: 25, lean, grey-blue prison kurta, number 15, prison cap with dark band, brass coin on his knuckles, dry low voice, 100% match. <Image 3> Veeru: 25, broad, same kurta, number 20, cap, shaving foam on jaw, eyes closed, lazy warm voice, 100% match. <Image 4> Hariram: wiry 45, thin moustache, very large ears, same kurta and cap, steel straight razor, silent, 100% match. Blocking: Veeru sits on a low stool against the wall left of the doorway, head back. Hariram stands over him shaving. Jai stands on the top step right of them, shoulder on the jamb, coin rolling nonstop. Sun high camera-right, doorway corridor dark behind Jai. Two prisoners cross the far yard, backs to camera. Timed cuts only, camera never cuts on its own, real-time: 0-2s ECU razor gliding through foam on Veeru's jaw, water drop on the blade. 2s HARD CUT. 2-5s MS three-shot: Hariram wipes the blade, Veeru exhales content, Jai's coin crosses four knuckles, his eyes slide to Hariram's ear and back. 5s HARD CUT. 5-8.5s MCU Jai on the step, coin moving, speaks slightly too loud, eyes on the coin: "So it's settled. Behind barrack six... the tunnel is ready." 8.5s HARD CUT. 8.5-11.5s MCU Veeru, eyes closed, answers without moving his head: "Thursday. Midnight. When the guards change." 11.5s HARD CUT. 11.5-14s CU Hariram: razor freezes mid-stroke, eyes widen over 0.6s, whites showing, hand tremors 2mm, ears lit against the stone. Hold to end. Real human speech, breaths, uneven pacing. Diegetic audio only: razor scrape, coin clicks through every cut, distant crows, gate clang; razor stops at the end, coin clicks continue. Restored vintage 70s film print look, photoreal: desaturated cool grey-blue cotton, rust-red brick, green-cyan shadow cast, warm tan skin, lifted blacks, soft halation, constant fine grain, steady colour every cut. Faces, caps, kurtas, positions, sun direction identical across cuts. End frame: Hariram frozen wide-eyed, razor on Veeru's jaw. 16:9. very real feel

1970s Indian prison yard, morning. Location from <Image 1>: central doorway with 3 stone steps, brick pilasters, grey stone wall, left colonnade, pale earth ground. <Image 2> Jai: 25, lean, grey-blue prison kurta, number 15, prison cap with dark band, brass coin on his knuckles, dry low voice, 100% match. <Image 3> Veeru: 25, broad, same kurta, number 20, cap, shaving foam on jaw, eyes closed, lazy warm voice, 100% match. <Image 4> Hariram: wiry 45, thin moustache, very large ears, same kurta and cap, steel straight razor, silent, 100% match. Blocking: Veeru sits on a low stool against the wall left of the doorway, head back. Hariram stands over him shaving. Jai stands on the top step right of them, shoulder on the jamb, coin rolling nonstop. Sun high camera-right, doorway corridor dark behind Jai. Two prisoners cross the far yard, backs to camera. Timed cuts only, camera never cuts on its own, real-time: 0-2s ECU razor gliding through foam on Veeru's jaw, water drop on the blade. 2s HARD CUT. 2-5s MS three-shot: Hariram wipes the blade, Veeru exhales content, Jai's coin crosses four knuckles, his eyes slide to Hariram's ear and back. 5s HARD CUT. 5-8.5s MCU Jai on the step, coin moving, speaks slightly too loud, eyes on the coin: "So it's settled. Behind barrack six... the tunnel is ready." 8.5s HARD CUT. 8.5-11.5s MCU Veeru, eyes closed, answers without moving his head: "Thursday. Midnight. When the guards change." 11.5s HARD CUT. 11.5-14s CU Hariram: razor freezes mid-stroke, eyes widen over 0.6s, whites showing, hand tremors 2mm, ears lit against the stone. Hold to end. Real human speech, breaths, uneven pacing. Diegetic audio only: razor scrape, coin clicks through every cut, distant crows, gate clang; razor stops at the end, coin clicks continue. Restored vintage 70s film print look, photoreal: desaturated cool grey-blue cotton, rust-red brick, green-cyan shadow cast, warm tan skin, lifted blacks, soft halation, constant fine grain, steady colour every cut. Faces, caps, kurtas, positions, sun direction identical across cuts. End frame: Hariram frozen wide-eyed, razor on Veeru's jaw. 16:9.

1970s Indian prison yard, morning. Location from <Image 1>: central doorway with 3 stone steps, brick pilasters, grey stone wall, left colonnade, pale earth ground. <Image 2> Jai: 25, lean, grey-blue prison kurta, number 15, prison cap with dark band, brass coin on his knuckles, dry low voice, 100% match. <Image 3> Veeru: 25, broad, same kurta, number 20, cap, shaving foam on jaw, eyes closed, lazy warm voice, 100% match. <Image 4> Hariram: wiry 45, thin moustache, very large ears, same kurta and cap, steel straight razor, silent, 100% match. Blocking: Veeru sits on a low stool against the wall left of the doorway, head back. Hariram stands over him shaving. Jai stands on the top step right of them, shoulder on the jamb, coin rolling nonstop. Sun high camera-right, doorway corridor dark behind Jai. Two prisoners cross the far yard, backs to camera. Timed cuts only, camera never cuts on its own, real-time: 0-2s ECU razor gliding through foam on Veeru's jaw, water drop on the blade. 2s HARD CUT. 2-5s MS three-shot: Hariram wipes the blade, Veeru exhales content, Jai's coin crosses four knuckles, his eyes slide to Hariram's ear and back. 5s HARD CUT. 5-8.5s MCU Jai on the step, coin moving, speaks slightly too loud, eyes on the coin: "So it's settled. Behind barrack six... the tunnel is ready." 8.5s HARD CUT. 8.5-11.5s MCU Veeru, eyes closed, answers without moving his head: "Thursday. Midnight. When the guards change." 11.5s HARD CUT. 11.5-14s CU Hariram: razor freezes mid-stroke, eyes widen over 0.6s, whites showing, hand tremors 2mm, ears lit against the stone. Hold to end. Real human speech, breaths, uneven pacing. Diegetic audio only: razor scrape, coin clicks through every cut, distant crows, gate clang; razor stops at the end, coin clicks continue. Restored vintage 70s film print look, photoreal: desaturated cool grey-blue cotton, rust-red brick, green-cyan shadow cast, warm tan skin, lifted blacks, soft halation, constant fine grain, steady colour every cut. Faces, caps, kurtas, positions, sun direction identical across cuts. End frame: Hariram frozen wide-eyed, razor on Veeru's jaw. 16:9.

SCENE CONTEXT Morning in a 1970s Indian prison yard. At the central doorway of the yard wall: Veeru sits on a low wooden stool against the wall just left of the doorway with his head tipped back getting shaved, Hariram the barber stands over him with a straight razor, Jai stands on the top stone step of the doorway to their right, leaning a shoulder on the door jamb, walking a coin across his knuckles. Jai and Veeru feed Hariram a fake escape plan. Fourteen seconds, five cuts. ACTIVE REFERENCES <Image 1> Location: the prison yard exactly as shown, central doorway with three grey stone steps and a long corridor behind it ending in a barred gate, red brick pilasters either side of the doorway, grey stone block wall with green-tinted plaster above, arched colonnade on the left, packed pale-earth ground. Same geometry, same colours, same wear. 100% matches the reference. <Image 2> Jai: man of 25, tall and lean, clean-shaven, grey-blue cotton prison cap with a single dark band, dark hair showing at the sides, plain slate grey-blue coarse cotton prison kurta with a black stitched number 15 on the left chest, a brass coin walking across the knuckles of his right hand. Speaks one line in English, low dry baritone. 100% matches the reference. <Image 3> Veeru: man of 25, broad-shouldered, grey-blue cotton prison cap with a single dark band, thick wavy dark hair pushing out at the sides, plain slate grey-blue prison kurta with a black stitched number 20 on the left chest, white shaving foam on his jaw and throat, eyes closed. Speaks one line in English, warm lazy relaxed voice. 100% matches the reference. <Image 4> Hariram: thin wiry man in his mid forties, gaunt face, thin moustache, very large ears, grey-blue prison kurta and a grey-blue cloth cap with a single dark band, a steel straight razor in his right hand. Silent. 100% matches the reference. LOCATION MAP Location geometry from <Image 1>. Foreground: the packed pale-earth yard floor, a low wooden stool, a small brass water bowl on the ground beside it, the razor, the coin. Midground: the grey stone wall left of the doorway with Veeru seated against it and Hariram standing over him, the red brick pilaster and the three stone steps with Jai standing on the top step against the left jamb of the doorway. Background: the dark corridor through the doorway receding to a barred gate 15 meters deep, the green-plastered upper wall with narrow slit windows, two prisoners in grey-blue kurtas and caps crossing the far right of the yard with a water pot, backs to camera. Sun is high camera-right, lighting the wall face evenly and leaving the doorway recess in shade. Camera works from the shadow side, operator axis on the left of the yard near the colonnade, looking right toward the doorway. FIRST FRAME / BLOCKING Frame opens on the razor blade already touching Veeru's jaw, foam parted in a clean track, the blade moving. Veeru seated on the stool, back to the stone wall, head tilted back to the left, eyes closed, cap on. Hariram standing on his right, bent over him, left hand steadying Veeru's chin, razor in the right hand. Jai on the top step to the right of them, shoulder against the door jamb, right hand raised at chest height, coin rolling knuckle to knuckle without stopping, one step higher than the other two so his head sits above theirs in the three-shot. Everyone in motion from frame one. FORMAT MODE Timed multishot with hard cuts at stated seconds. Cuts only at the specified points, the camera does not cut on its own. OPTICS 0.0–2.0s ECU razor, 12° FOV tele-detail, no drift mid-segment. 2.0–5.0s MS three-shot, 47° FOV neutral, no drift mid-segment. 5.0–8.5s MCU Jai, 29° FOV portrait compression, no drift mid-segment. 8.5–11.5s MCU Veeru, 29° FOV portrait compression, no drift mid-segment. 11.5–14.0s CU Hariram, 18° FOV natural portrait, no drift mid-segment. Spherical prime character, clean centre with gentle corner falloff, natural motion blur at real-time shutter. CAMERA Eye-level throughout, operator on the left side of the yard. 0.0–2.0s locked off, focus riding the blade edge. 2.0–5.0s slow dolly-in at 2 km/h from 4 meters toward the doorway, the three men and the steps filling the frame, focus on Hariram's hands. 5.0–8.5s locked off on Jai, slightly low angle looking up at him on the step, the dark corridor behind him, focus on his eyes. 8.5–11.5s locked off on Veeru, the grey stone wall behind him, focus on his closed eyes. 11.5–14.0s locked off on Hariram, focus on his eyes, then the razor hand enters the lower frame. Wide tonal latitude, soft highlight roll-off on the sunlit wall, warm skin tones held without clipping. ACTION 0.0–2.0s — The steel blade glides along Veeru's jaw at 3 cm per second, foam curling off the edge in a white ribbon, a drop of water sliding down the blade. Hariram's thumb steadies the skin. 2.0s HARD CUT 2.0–5.0s — Three-shot. Hariram wipes the blade on a cloth on his shoulder and resets for the next stroke. Veeru exhales through his nose, contented, jaw loose. Jai on the step, coin crossing four knuckles and dropping into his palm, he flicks it back up and it starts again. Jai's eyes slide down and sideways to Hariram's ear, then back to the coin. In the background two prisoners cross the far right of the yard from right to left at walking pace, backs to camera. 5.0s HARD CUT 5.0–8.5s — Jai, coin still moving, tilts his head half a degree down toward Hariram and speaks a shade louder than a private conversation needs, eyes on the coin, lips barely moving: "So it's settled. Behind barrack six... the tunnel is ready." 8.5s HARD CUT 8.5–11.5s — Veeru, eyes closed, foam on his throat, answers without moving his head, mouth stretched slightly to keep the shaving line tight: "Thursday. Midnight. When the guards change." 11.5s HARD CUT 11.5–14.0s — Hariram. The razor stops mid-stroke against Veeru's jaw at the bottom of frame. His eyes widen over 0.6 seconds, whites showing, pupils fixed on nothing. His breath catches. The razor hand begins a small tremor of 2 millimeters. His large ears stay fully visible against the sunlit stone wall. Hold on the frozen face to the last frame. PERFORMANCE Real human speech, conversational, unhurried, micro-variations in pitch, a small audible breath before each line, Jai's line drops half a step at the end, Veeru's line has a lazy stretch on the first word and speeds up on the last three. Skin at pore level: foam glistening wet on Veeru's throat, a faint capillary flush on Hariram's cheeks when his eyes widen, catch-lights in every eye from the sunlit yard, individual hairs of Veeru's fringe moving under the cap edge in a 5 km/h breeze. Jai's face stays deadpan, the only movement is one slow blink and the downward eye slide. Hariram's fear lives in the eyes and the tremor, mouth stays closed. PHYSICS Coin obeys gravity and inertia, rolling with weight, a small metallic click on each knuckle. Foam holds its shape, slides slowly, drips once onto the earth. Razor blade catches a hard sun glint when it stops. Cloth of the kurtas creases naturally with each breath. Fine pale dust hangs in the sunlit air at 10% density, drifting right to left. Jai's weight rests on the shoulder against the jamb, one foot flat on the top step, the other heel on the step below. LIGHTING Single hard sun source high camera-right at 5600K, lighting the grey stone wall and the right side of Veeru's and Hariram's faces, left side in soft open shade filled by the pale-earth ground bounce. Jai on the step stands half in the doorway shade, the right edge of his face and cap rim-lit by the sun, the dark corridor behind him three stops under. Sun glint on razor steel and coin brass. Foam reads bright white against warm skin. Exposure set for skin, the sunlit wall half a stop brighter and held. WARDROBE Slate grey-blue coarse cotton prison kurtas on all three, three-quarter sleeves, small round collar with thin dark piping, short button placket open at the top button, worn and creased, pale dust on the shoulders and hems. Grey-blue cotton caps with a single dark band on all three, sitting flat. Numbers 15 on Jai and 20 on Veeru stay readable. AUDIO Razor scraping foam and skin, close and dry. Coin clicking on knuckles in a steady rhythm through every cut. Distant yard sound: a water pot sloshing, two crows, a metal gate clanging once far down the

1970s Indian prison yard, morning. Location from @image1: central doorway with 3 stone steps, brick pilasters, grey stone wall, left colonnade, pale earth ground. @image2 Jai: 25, lean, grey-blue prison kurta, number 15, prison cap with dark band, brass coin on his knuckles, dry low voice, 100% match. @image3 Veeru: 25, broad, same kurta, number 20, cap, shaving foam on jaw, eyes closed, lazy warm voice, 100% match. @image4 Hariram: wiry 45, thin moustache, very large ears, same kurta and cap, steel straight razor, silent, 100% match. Blocking: Veeru sits on a low stool against the wall left of the doorway, head back. Hariram stands over him shaving. Jai stands on the top step right of them, shoulder on the jamb, coin rolling nonstop. Sun high camera-right, doorway corridor dark behind Jai. Two prisoners cross the far yard, backs to camera. Timed cuts only, camera never cuts on its own, real-time: 0-2s ECU razor gliding through foam on Veeru's jaw, water drop on the blade. 2s HARD CUT. 2-5s MS three-shot: Hariram wipes the blade, Veeru exhales content, Jai's coin crosses four knuckles, his eyes slide to Hariram's ear and back. 5s HARD CUT. 5-8.5s MCU Jai on the step, coin moving, speaks slightly too loud, eyes on the coin: "So it's settled. Behind barrack six... the tunnel is ready." 8.5s HARD CUT. 8.5-11.5s MCU Veeru, eyes closed, answers without moving his head: "Thursday. Midnight. When the guards change." 11.5s HARD CUT. 11.5-14s CU Hariram: razor freezes mid-stroke, eyes widen over 0.6s, whites showing, hand tremors 2mm, ears lit against the stone. Hold to end. Real human speech, breaths, uneven pacing. Diegetic audio only: razor scrape, coin clicks through every cut, distant crows, gate clang; razor stops at the end, coin clicks continue. Restored vintage 70s film print look, photoreal: desaturated cool grey-blue cotton, rust-red brick, green-cyan shadow cast, warm tan skin, lifted blacks, soft halation, constant fine grain, steady colour every cut. Faces, caps, kurtas, positions, sun direction identical across cuts. End frame: Hariram frozen wide-eyed, razor on Veeru's jaw. 16:9.

1970s Indian prison yard, morning. Location from @image1: central doorway with 3 stone steps, brick pilasters, grey stone wall, left colonnade, pale earth ground. @image2 Jai: 25, lean, grey-blue prison kurta, number 15, prison cap with dark band, brass coin on his knuckles, dry low voice, 100% match. @image3 Veeru: 25, broad, same kurta, number 20, cap, shaving foam on jaw, eyes closed, lazy warm voice, 100% match. @image4 Hariram: wiry 45, thin moustache, very large ears, same kurta and cap, steel straight razor, silent, 100% match. Blocking: Veeru sits on a low stool against the wall left of the doorway, head back. Hariram stands over him shaving. Jai stands on the top step right of them, shoulder on the jamb, coin rolling nonstop. Sun high camera-right, doorway corridor dark behind Jai. Two prisoners cross the far yard, backs to camera. Timed cuts only, camera never cuts on its own, real-time: 0-2s ECU razor gliding through foam on Veeru's jaw, water drop on the blade. 2s HARD CUT. 2-5s MS three-shot: Hariram wipes the blade, Veeru exhales content, Jai's coin crosses four knuckles, his eyes slide to Hariram's ear and back. 5s HARD CUT. 5-8.5s MCU Jai on the step, coin moving, speaks slightly too loud, eyes on the coin: "So it's settled. Behind barrack six... the tunnel is ready." 8.5s HARD CUT. 8.5-11.5s MCU Veeru, eyes closed, answers without moving his head: "Thursday. Midnight. When the guards change." 11.5s HARD CUT. 11.5-14s CU Hariram: razor freezes mid-stroke, eyes widen over 0.6s, whites showing, hand tremors 2mm, ears lit against the stone. Hold to end. Real human speech, breaths, uneven pacing. Diegetic audio only: razor scrape, coin clicks through every cut, distant crows, gate clang; razor stops at the end, coin clicks continue. Restored vintage 70s film print look, photoreal: desaturated cool grey-blue cotton, rust-red brick, green-cyan shadow cast, warm tan skin, lifted blacks, soft halation, constant fine grain, steady colour every cut. Faces, caps, kurtas, positions, sun direction identical across cuts. End frame: Hariram frozen wide-eyed, razor on Veeru's jaw. 16:9.

SCENE CONTEXT Morning in a 1970s Indian prison yard. At the central doorway of the yard wall: Veeru sits on a low wooden stool against the wall just left of the doorway with his head tipped back getting shaved, Hariram the barber stands over him with a straight razor, Jai stands on the top stone step of the doorway to their right, leaning a shoulder on the door jamb, walking a coin across his knuckles. Jai and Veeru feed Hariram a fake escape plan. Fourteen seconds, five cuts. ACTIVE REFERENCES @image1 Location: the prison yard exactly as shown, central doorway with three grey stone steps and a long corridor behind it ending in a barred gate, red brick pilasters either side of the doorway, grey stone block wall with green-tinted plaster above, arched colonnade on the left, packed pale-earth ground. Same geometry, same colours, same wear. 100% matches the reference. @image2 Jai: man of 25, tall and lean, clean-shaven, grey-blue cotton prison cap with a single dark band, dark hair showing at the sides, plain slate grey-blue coarse cotton prison kurta with a black stitched number 15 on the left chest, a brass coin walking across the knuckles of his right hand. Speaks one line in English, low dry baritone. 100% matches the reference. @image3 Veeru: man of 25, broad-shouldered, grey-blue cotton prison cap with a single dark band, thick wavy dark hair pushing out at the sides, plain slate grey-blue prison kurta with a black stitched number 20 on the left chest, white shaving foam on his jaw and throat, eyes closed. Speaks one line in English, warm lazy relaxed voice. 100% matches the reference. @image4 Hariram: thin wiry man in his mid forties, gaunt face, thin moustache, very large ears, grey-blue prison kurta and a grey-blue cloth cap with a single dark band, a steel straight razor in his right hand. Silent. 100% matches the reference. LOCATION MAP Location geometry from @image1. Foreground: the packed pale-earth yard floor, a low wooden stool, a small brass water bowl on the ground beside it, the razor, the coin. Midground: the grey stone wall left of the doorway with Veeru seated against it and Hariram standing over him, the red brick pilaster and the three stone steps with Jai standing on the top step against the left jamb of the doorway. Background: the dark corridor through the doorway receding to a barred gate 15 meters deep, the green-plastered upper wall with narrow slit windows, two prisoners in grey-blue kurtas and caps crossing the far right of the yard with a water pot, backs to camera. Sun is high camera-right, lighting the wall face evenly and leaving the doorway recess in shade. Camera works from the shadow side, operator axis on the left of the yard near the colonnade, looking right toward the doorway. FIRST FRAME / BLOCKING Frame opens on the razor blade already touching Veeru's jaw, foam parted in a clean track, the blade moving. Veeru seated on the stool, back to the stone wall, head tilted back to the left, eyes closed, cap on. Hariram standing on his right, bent over him, left hand steadying Veeru's chin, razor in the right hand. Jai on the top step to the right of them, shoulder against the door jamb, right hand raised at chest height, coin rolling knuckle to knuckle without stopping, one step higher than the other two so his head sits above theirs in the three-shot. Everyone in motion from frame one. FORMAT MODE Timed multishot with hard cuts at stated seconds. Cuts only at the specified points, the camera does not cut on its own. OPTICS 0.0–2.0s ECU razor, 12° FOV tele-detail, no drift mid-segment. 2.0–5.0s MS three-shot, 47° FOV neutral, no drift mid-segment. 5.0–8.5s MCU Jai, 29° FOV portrait compression, no drift mid-segment. 8.5–11.5s MCU Veeru, 29° FOV portrait compression, no drift mid-segment. 11.5–14.0s CU Hariram, 18° FOV natural portrait, no drift mid-segment. Spherical prime character, clean centre with gentle corner falloff, natural motion blur at real-time shutter. CAMERA Eye-level throughout, operator on the left side of the yard. 0.0–2.0s locked off, focus riding the blade edge. 2.0–5.0s slow dolly-in at 2 km/h from 4 meters toward the doorway, the three men and the steps filling the frame, focus on Hariram's hands. 5.0–8.5s locked off on Jai, slightly low angle looking up at him on the step, the dark corridor behind him, focus on his eyes. 8.5–11.5s locked off on Veeru, the grey stone wall behind him, focus on his closed eyes. 11.5–14.0s locked off on Hariram, focus on his eyes, then the razor hand enters the lower frame. Wide tonal latitude, soft highlight roll-off on the sunlit wall, warm skin tones held without clipping. ACTION 0.0–2.0s — The steel blade glides along Veeru's jaw at 3 cm per second, foam curling off the edge in a white ribbon, a drop of water sliding down the blade. Hariram's thumb steadies the skin. 2.0s HARD CUT 2.0–5.0s — Three-shot. Hariram wipes the blade on a cloth on his shoulder and resets for the next stroke. Veeru exhales through his nose, contented, jaw loose. Jai on the step, coin crossing four knuckles and dropping into his palm, he flicks it back up and it starts again. Jai's eyes slide down and sideways to Hariram's ear, then back to the coin. In the background two prisoners cross the far right of the yard from right to left at walking pace, backs to camera. 5.0s HARD CUT 5.0–8.5s — Jai, coin still moving, tilts his head half a degree down toward Hariram and speaks a shade louder than a private conversation needs, eyes on the coin, lips barely moving: "So it's settled. Behind barrack six... the tunnel is ready." 8.5s HARD CUT 8.5–11.5s — Veeru, eyes closed, foam on his throat, answers without moving his head, mouth stretched slightly to keep the shaving line tight: "Thursday. Midnight. When the guards change." 11.5s HARD CUT 11.5–14.0s — Hariram. The razor stops mid-stroke against Veeru's jaw at the bottom of frame. His eyes widen over 0.6 seconds, whites showing, pupils fixed on nothing. His breath catches. The razor hand begins a small tremor of 2 millimeters. His large ears stay fully visible against the sunlit stone wall. Hold on the frozen face to the last frame. PERFORMANCE Real human speech, conversational, unhurried, micro-variations in pitch, a small audible breath before each line, Jai's line drops half a step at the end, Veeru's line has a lazy stretch on the first word and speeds up on the last three. Skin at pore level: foam glistening wet on Veeru's throat, a faint capillary flush on Hariram's cheeks when his eyes widen, catch-lights in every eye from the sunlit yard, individual hairs of Veeru's fringe moving under the cap edge in a 5 km/h breeze. Jai's face stays deadpan, the only movement is one slow blink and the downward eye slide. Hariram's fear lives in the eyes and the tremor, mouth stays closed. PHYSICS Coin obeys gravity and inertia, rolling with weight, a small metallic click on each knuckle. Foam holds its shape, slides slowly, drips once onto the earth. Razor blade catches a hard sun glint when it stops. Cloth of the kurtas creases naturally with each breath. Fine pale dust hangs in the sunlit air at 10% density, drifting right to left. Jai's weight rests on the shoulder against the jamb, one foot flat on the top step, the other heel on the step below. LIGHTING Single hard sun source high camera-right at 5600K, lighting the grey stone wall and the right side of Veeru's and Hariram's faces, left side in soft open shade filled by the pale-earth ground bounce. Jai on the step stands half in the doorway shade, the right edge of his face and cap rim-lit by the sun, the dark corridor behind him three stops under. Sun glint on razor steel and coin brass. Foam reads bright white against warm skin. Exposure set for skin, the sunlit wall half a stop brighter and held. WARDROBE Slate grey-blue coarse cotton prison kurtas on all three, three-quarter sleeves, small round collar with thin dark piping, short button placket open at the top button, worn and creased, pale dust on the shoulders and hems. Grey-blue cotton caps with a single dark band on all three, sitting flat. Numbers 15 on Jai and 20 on Veeru stay readable. AUDIO Razor scraping foam and skin, close and dry. Coin clicking on knuckles in a steady rhythm through every cut. Distant yard sound: a water pot sloshing, two crows, a metal gate clanging once far down the corridor. Jai's line and Veeru's line as written in English. On the last cut the razor scrape stops and only the coin clicks continue. PERIOD LOOK Restored vintage Hindi film print look from the 1970s to early 1990s, photoreal and cinematic. Slate grey-blue prison cotton reads cool and slightly desaturated under daylight, brick reads muted rust-red, grey stone and green-tinted plaster carry a faint green-cyan cast in the shadows, skin reads warm tan with soft highlight bloom on the forehead and nose. Contrast is gentle with lifted blacks, highlights roll off softly with a light halation glow around sun-struck edges. Fine organic film grain at a constant density, very slight frame weave, slightly soft spherical optics with clean centre and gentle falloff at the corners, colour held steady across every cut. Skin, fabric and stone stay fully real at pore and weave level. PERIOD AUDIO Diegetic only. Dialogue sits forward in the mix with a dry studio-dubbed character, light plate-style room reverb, warm mono-leaning tonality with a narrow high end, very low constant tape hiss under everything. Footsteps, cloth, metal and props sound close and slightly boxy like a period foley stage. Real human speech with breath, pitch variation and uneven pacing. STYLE Photoreal period realism, real-time speed throughout, 16:9. OUTPUT SETTINGS 4K, 16:9, real-time in all segments, constant fine grain. POSITIVE LOCKS Location, doorway, steps, wall and colonnade match @image1 in every cut. Jai, Veeru and Hariram keep the same faces, caps and kurtas in every cut. Screen positions hold: Veeru and Hariram left of the doorway at ground level, Jai on the top step to their right, one head higher. Coin stays in Jai's right hand and keeps moving in every shot where he is visible. Razor stays in Hariram's right hand. Foam stays on Veeru's jaw and throat. Sun stays camera-right in every cut. Background prisoners stay in motion with backs to camera. Colour tone identical across all five cuts. Ending frame is Hariram's frozen wide-eyed face with the razor still against Veeru's jaw.

remove cheppals

make it trounser using ref

professional character sheet, three panels side by side in one 16:9 frame, plain seamless mid-grey studio backdrop across all three panels, evenly lit with no props and no set the character is [CHARACTER], exact face identity, skin tone, hair, costume, fabric, jewellery and every accessory taken directly from <Image 1> without changing any facial feature, costume detail or colour reproduce the exact skin texture, fabric texture, hair texture and photographic quality of <Image 1> as it is, do not add softness, do not add grain, do not add blur, do not smooth, do not sharpen, do not enhance, the output must have the same real-photograph texture as the reference, a real human photographed in a real studio, not a render, not a digital painting, not an AI generated image panel one on the left is a full-body front view of the same costume standing straight and neutral, arms relaxed at the sides, the head completely absent above the collar so only the garment and body are shown from the neck down to the feet, full costume clearly visible from top to bottom panel two in the center is a full-body back view of the same figure standing straight in the same neutral pose with the head included from behind, showing the back of the hair, the rear of the costume, drape, seams, straps and hemline panel three on the right is a tight head-and-shoulders close-up of [CHARACTER] looking straight into the camera with a calm neutral expression, face filling the frame, every facial feature, skin detail, pore, blemish and expression line identical to <Image 1>, clean natural face with no overlay, no lines and no graphics on the skin identical costume and identical lighting across all three panels, soft large-source key light from slightly above and camera left, gentle fill on the shadow side, subtle rim light separating the figure from the backdrop sharp focus on the subject i n all three panels, 85mm lens, no text, no labels, no watermark , very real feel , with short trousers

professional character sheet, three panels side by side in one 16:9 frame, plain seamless mid-grey studio backdrop across all three panels, evenly lit with no props and no set the character is [CHARACTER], exact face identity, skin tone, hair, costume, fabric, jewellery and every accessory taken directly from <Image 1> without changing any facial feature, costume detail or colour reproduce the exact skin texture, fabric texture, hair texture and photographic quality of <Image 1> as it is, do not add softness, do not add grain, do not add blur, do not smooth, do not sharpen, do not enhance, the output must have the same real-photograph texture as the reference, a real human photographed in a real studio, not a render, not a digital painting, not an AI generated image panel one on the left is a full-body front view of the same costume standing straight and neutral, arms relaxed at the sides, the head completely absent above the collar so only the garment and body are shown from the neck down to the feet, full costume clearly visible from top to bottom panel two in the center is a full-body back view of the same figure standing straight in the same neutral pose with the head included from behind, showing the back of the hair, the rear of the costume, drape, seams, straps and hemline panel three on the right is a tight head-and-shoulders close-up of [CHARACTER] looking straight into the camera with a calm neutral expression, face filling the frame, every facial feature, skin detail, pore, blemish and expression line identical to <Image 1>, clean natural face with no overlay, no lines and no graphics on the skin identical costume and identical lighting across all three panels, soft large-source key light from slightly above and camera left, gentle fill on the shadow side, subtle rim light separating the figure from the backdrop sharp focus on the subject i n all three panels, 85mm lens, no text, no labels, no watermark , very real feel , with trousers

professional character sheet, three panels side by side in one 16:9 frame, plain seamless mid-grey studio backdrop across all three panels, evenly lit with no props and no set the character is [CHARACTER], exact face identity, skin tone, hair, costume, fabric, jewellery and every accessory taken directly from <Image 1> without changing any facial feature, costume detail or colour reproduce the exact skin texture, fabric texture, hair texture and photographic quality of <Image 1> as it is, do not add softness, do not add grain, do not add blur, do not smooth, do not sharpen, do not enhance, the output must have the same real-photograph texture as the reference, a real human photographed in a real studio, not a render, not a digital painting, not an AI generated image panel one on the left is a full-body front view of the same costume standing straight and neutral, arms relaxed at the sides, the head completely absent above the collar so only the garment and body are shown from the neck down to the feet, full costume clearly visible from top to bottom panel two in the center is a full-body back view of the same figure standing straight in the same neutral pose with the head included from behind, showing the back of the hair, the rear of the costume, drape, seams, straps and hemline panel three on the right is a tight head-and-shoulders close-up of [CHARACTER] looking straight into the camera with a calm neutral expression, face filling the frame, every facial feature, skin detail, pore, blemish and expression line identical to <Image 1>, clean natural face with no overlay, no lines and no graphics on the skin identical costume and identical lighting across all three panels, soft large-source key light from slightly above and camera left, gentle fill on the shadow side, subtle rim light separating the figure from the backdrop sharp focus on the subject i n all three panels, 85mm lens, no text, no labels, no watermark , very real feel one side short trouser an aother side big than that

professional character sheet, three panels side by side in one 16:9 frame, plain seamless mid-grey studio backdrop across all three panels, evenly lit with no props and no set the character is [CHARACTER], exact face identity, skin tone, hair, costume, fabric, jewellery and every accessory taken directly from <Image 1> without changing any facial feature, costume detail or colour reproduce the exact skin texture, fabric texture, hair texture and photographic quality of <Image 1> as it is, do not add softness, do not add grain, do not add blur, do not smooth, do not sharpen, do not enhance, the output must have the same real-photograph texture as the reference, a real human photographed in a real studio, not a render, not a digital painting, not an AI generated image panel one on the left is a full-body front view of the same costume standing straight and neutral, arms relaxed at the sides, the head completely absent above the collar so only the garment and body are shown from the neck down to the feet, full costume clearly visible from top to bottom panel two in the center is a full-body back view of the same figure standing straight in the same neutral pose with the head included from behind, showing the back of the hair, the rear of the costume, drape, seams, straps and hemline panel three on the right is a tight head-and-shoulders close-up of [CHARACTER] looking straight into the camera with a calm neutral expression, face filling the frame, every facial feature, skin detail, pore, blemish and expression line identical to <Image 1>, clean natural face with no overlay, no lines and no graphics on the skin identical costume and identical lighting across all three panels, soft large-source key light from slightly above and camera left, gentle fill on the shadow side, subtle rim light separating the figure from the backdrop sharp focus on the subject i n all three panels, 85mm lens, no text, no labels, no watermark , very real feel one side short trouser an aother side big than that

just change the white color number in his chest to black and remove the white box behind him