c388f24e-215c-45c9-9496-d88c512e423e

**DURATION:** 15 seconds. ONE CONTINUOUS SHOT. No cuts. OUTPUT 16:9 FULL FRAME. Fill the whole 16:9 frame. Do not add black bars. Do not add any logo. **LOOK:** 1975 Hindi-film photochemical look. Fine grain. Hard noon sun on granite. Match <<Image_1>>. **REFERENCE MAP** <<Image_1>> START FRAME. Jai already crouched in the gap between the foreground boulder and the back wall. Light denim jacket, black shirt, light trousers. Open on this exact body position. <<Image_2>> JAI identity. Face, hair, denim jacket with dark collar and snaps, black shirt. Face lock = this sheet only. **CAMERA** Hold the <<Image_1>> angle the whole 15 seconds. No cut. No push-in. No pan to a new setup. Subtle handheld only. **ACTION — 15 SECONDS** **0.00–3.50** Hold <<Image_1>>. Pain in the back. He **bends his head down** — chin toward chest, eyes tight, breath short. He does not stand. He does not leave the rocks. **3.50–8.00** Slowly he **lifts his head** and **leans back onto the granite** behind him. Shoulders find the wall. Face from <<Image_2>>. Pain stays, but smaller. **8.00–10.50** His eyes go **slightly to the right of camera** — not into the lens, not full profile. Off-axis, just right of the camera. **10.50–15.00** Hold that look. He speaks through **subtle pain**, not a shout, not a grin: “Toh faisla sikka karega.” Mouth moves. Eyeline stays just right of camera. End still in the rocks. **AUDIO** Cloth on stone. A tight breath when the head drops. Then the line. Light wind. No music. No score. No second speaker. No voiceover. **NEGATIVE** Do not look straight into the camera. Do not stand up. Do not walk out. Do not add a logo or letterbox. Do not swap his face away from <<Image_2>>. Do not add music. Do not play the line as comedy.