ca9f8ade-7983-472f-a9f2-fa269d26fe0b

One continuous shot, no cuts, 15 seconds. Three people in a small kitchen. POSITIONS: the dark-haired young woman in black stands on the LEFT side of the kitchen at the counter. The dark-haired younger man in the dark t-shirt sits on the RIGHT side at the table. The tall silver-haired man in the dark overcoat stands in the CENTER at the open doorway in the background. Seconds 1-3: the silver-haired man in the center doorway walks forward into the kitchen toward camera. THE SILVER-HAIRED MAN says warmly as he walks: "I was passing through. Thought I'd check how you're settling in." The woman on the left lowers her mug. The man on the right shifts in his chair. Camera holds wide then tracks backward. Seconds 4-6: the silver-haired man walks between the woman on the left and the seated man on the right, passing through their space, trailing fingers on the table. He reaches camera in medium close-up. THE SILVER-HAIRED MAN looks toward the woman on the left and says: "I see you've made a friend." DRAMATIC: camera drops to low angle looking up at his face, ceiling bulb behind his head. Camera begins orbiting counter-clockwise around him. Seconds 7-9: camera orbits the silver-haired man as he turns back toward the couple. The orbit reveals the woman and seated man behind him. THE SILVER-HAIRED MAN says toward them: "Whatever this is — it ends tonight. For your sake. Both of you." DRAMATIC: camera snaps up from low angle to eye level in one fast rise. The silver-haired man is now between camera and the couple — his back is near camera, the couple faces camera behind him. Seconds 10-12: the younger man on the right shoves his chair back and stands. Camera pushes past the silver-haired man's shoulder toward the younger man. THE YOUNGER MAN IN THE T-SHIRT says, standing, looking past camera at the silver-haired man: "Then you'd better explain why. Because I'm not going anywhere." Seconds 13-15: the woman moves from the left side. She steps over and stands BESIDE the younger man on the right. She places her hand flat on the younger man's chest — he is right next to her, she is touching him while looking at him for one beat. Then she TURNS HER HEAD AND BODY away from the younger man to face TOWARD CAMERA where the silver-haired man stands. She is now facing camera. THE WOMAN says directly into camera toward the silver-haired man who is behind camera: "Say what you came to say. Or get out of my house." DRAMATIC: camera pushes in tight on her face as she speaks these words toward camera. Her eyes stare directly into the lens — which is where the silver-haired man stands. Unblinking. The younger man's hand rises onto her shoulder behind her. Silence. Bulb flickers. Hold on her face staring into camera. AUDIO: leather shoes on tile. Mug on counter. Chair scraping. Bare feet crossing the kitchen. Palm pressing shirt. Fingers on table. Car ticking outside. Wind through doorway. Breathing in final silence. No music. Diegetic only.