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[SHOT 3.01 | REFS: none — exterior plate] Establishing exterior still photograph, wide angle, 1968 Pullman Company passenger train (the Super Chief) in motion, crossing autumn Missouri prairie in mid-afternoon October light. The train — a series of long mahogany-brown passenger cars trimmed with gold banding, brass grab-rails, paired square side-windows — cuts across the frame in a shallow diagonal moving from frame-left to frame-right, nose out of frame right, tail out of frame left. Camera positioned trackside at ballast height on the south side of the westbound line. Composition: the train occupies the lower two-thirds of the frame in a shallow left-to-right diagonal; midground is autumn ochre-and-sage prairie grass, rolling gently; upper third is a dry autumn treeline against a hazy warm sky; horizon line slightly below frame center. Real grass debris and faint dust at the near foreground edge, close to the ballast. Camera: ARRI Alexa 35, Cooke S7/i 32mm at T4 — deep readable landscape, honest sensor character, no lens distortion. Lighting: natural late-afternoon October sun, warm 5200K, side-raking the train flank from camera-right; deep clean shadow beneath the undercarriage; a long soft cross-shadow of the near treeline falls across the grass foreground. Grade: Kodak 2383 print emulation over ARRI Reveal LogC4. Warm mahogany train body dominant, ochre-sage prairie secondary, cool desaturated slate-grey sky, deep clean but never crushed blacks, no teal-orange split. Style: photorealistic 2.39:1 cinematic still, prestige TV production quality, natural 1968 period authenticity, real metal-and-paint texture on the train body, real grass texture in the foreground, no bloom, no HDR halo.

Generate a single, hyper-realistic character reference image (strictly no collages, text, watermarks, or borders). The image must feature a cinematic, three-quarter portrait of the described character, maintaining a sharp, tack-focused emphasis on the face with natural skin textures, pore details, and realistic micro-expressions. The lighting should be cinematic and directional (e.g., subtle split or Rembrandt lighting) to give depth, blending seamlessly with the environment specified in the character description. The character must have a natural, living presence, looking slightly off-camera or directly at the lens with a subtle, context-aware expression. Ensure the full head, neck, and upper shoulders are completely unobstructed. This image serves as a high-fidelity identity blueprint for temporal-consistent video generation.