df6b14f8-d053-45af-a138-0f7e2bf58399

node 131 · LTXDirector · timeline_data

{"mainTrackEnabled":true,"audioTrackEnabled":true,"motionTrackEnabled":true,"propHeight":90,"globalPropHeight":94,"showFilenames":true,"overrideAudio":false,"inpaint_audio":true,"global_prompt":"","retake_global_prompt":"","retakeMode":false,"retakeStart":24,"retakeLength":48,"retakePrompt":"","retakeStrength":1,"retakeVideo":null,"normalStartFrame":0,"normalDurationFrames":192,"segments":[{"id":"1783782833551ama9x","start":0,"length":96,"prompt":"","type":"image","imageFile":"whatdreamscost/character_ref_00114_.png","imageB64":"/api/view?filename=character_ref_00114_.png&type=input&subfolder=whatdreamscost"},{"id":"1783782845370ty7on","start":96,"length":96,"prompt":"Cinematic medium shot in a dim room at night during a thunderstorm, ARJUN standing before a wall-mounted board covered in pinned evidence — a photograph, a handwritten letter, bus tickets, notes — connected by taut red string in a web. He studies it intently, brow furrowed, lit by cold blue lightning flickering through a rain-streaked window. Deep shadows, storm-blue tones, atmospheric. Photorealistic, 35mm, shallow depth of field, fine film grain, cold desaturated grade. then the camera pushes in slowly towards his face where he says \"who the hell is this kabir?..\"","type":"text"}],"motionSegments":[],"audioSegments":[]}

node 131 · LTXDirector · resize_method

stretch to fit